DE I / DESILLUSIONIST magazine
DE I / DESILLUSIONIST #01 : Table of Contents DE I / DESILLUSIONIST #01 : Editorial. Roksolana Chernoba DE I / DESILLUSIONIST #01 : Project Human: Antonio Menegetti DE I / DESILLUSIONIST #01 : Angel of Nostalgia: Theodor Kurentzis DE I / DESILLUSIONIST #01 : Sasha Manovtseva. The Bolshoy Theatre DE I / DESILLUSIONIST #01 : The Keeper of the Crusaders’ Island DE I / DESILLUSIONIST #01 : Panaiotis Merekos. A Voice in the Desert DE I / DESILLUSIONIST #01 : In Credible Alexsander Ponomarev DE I / DESILLUSIONIST #01 : Catharsis: Dmitry Cherniakov DE I / DESILLUSIONIST #01 : Priceless Paper. MI-MI Moscow DE I / DESILLUSIONIST #01 : Koulik is a Tender Bird DE I / DESILLUSIONIST #01 : Vlad Mamishev-Monroe
DE I / DESILLUSIONIST magazine#01

russian version |
 
about DE I |
 
manifesto |
 
this number |
 
archive |
 
where to find |
 
office |
 
contacts |
 
friends |
 

special project |
 
DE I music |
 


DE I #01: Angel of Nostalgia: Theodor Kurentzis

ANGEL OF NOSTALGIA  Theodor Kurentzis

You can call Kurentzis one of the most ground-breaking conductors of today’s Russia, but he is so much more than that: a poet, a lover (as he comments on himself), a revolutionary. Currently the conductor at Novosibirsk Opera & Ballet Theater, he makes his sharp remarks. He never hesitates to despise Pavarotti or Fleming or Domingo. He is frightened of consumerism on both sides of the global opera stage, the art of opera that becomes so much like a sport, and the genuine path of artist, that is to take Heaven closer so that they can listen ( ... )

© DE I / DESILLUSIONIST #01.